Case studies: Freelance sound mixer and technician: Steve

Steve has worked in the television industry as a sound technician in numerous roles since 1980.

I originally started as a trainee in the music industry due to a keen interest in both music and technology. I then went to college to study electronics. I worked in related industries for a while before moving into television.

When I began working in the industry a good general knowledge of electronics was essential, however, new technologies have changed this in recent years.

My typical working day involves travelling long distances and working long hours (16-hour days and 160-mile round trips are not unusual).

Most working days essentially follow the same pattern: unload, rig, test, mix/standby/operate (as required), de-rig and load-up. Like most freelancers within the industry, however, I have also experienced frustrating periods of job uncertainty and unemployment.

The main benefit of my job is its flexibility. I have the freedom to turn down work and have weekdays off. This job can also involve going to places that I would never otherwise go. For example, my job has brought me to Salisbury Cathedral spire, aboard naval helicopters and warships, racetracks, state events and sewers!

The major downside is dealing with impatient directors and producers who often hold unrealistic budgets, timescales and expectations. This can lead to a tense, pressured and uncomfortable working environment.

My advice for anyone wanting to enter the industry as a sound man is to do so cautiously. The excessive number of graduates who have been led (often falsely) to believe they are trained professionals has led to a significant drop in standards and sometimes salaries. Having run training courses in sound for news technicians I am acutely aware of this. There are many people claiming to be sound recordist who do not have the necessary skills. Anyone entering this industry today must do so with their eyes open and a willingness to sell themselves.