Case studies: Recording engineer: Stephen

Stephen graduated with a BMus in Music and Sound Recording from the University of Surrey. He is currently employed as a recording engineer at the Royal College of Music.

I was working freelance and editing for an audio/video production company in Oxford when I applied for my current job, which was advertised in Music Week.

My main method of job hunting was sending letters and CVs to various studios and post-production companies. Visiting and phoning studios can also be a good way of finding out about prospective future opportunities.

My course provided me with both the technical and practical skills necessary for my job as a sound engineer. Perhaps the most beneficial aspect of the course was the third year work placement. During this time I spent nine months working with an established mastering engineer and gained experience of daily studio work and dealing with clients on professional projects.

On a typical day I would have two three-hour sessions. For most student recordings, auditions and competitions, we will track, mix and edit within those three hours. For commercial clients, projects could last anything from a day to several months. Outside sessions I perform general maintenance of the studio and its equipment. I am also involved in other projects. For example, during the recent refurbishment of the Royal Collage of Music's Concert Hall, I was involved in establishing the room's audio and video requirements.

I feel that I have gained valuable experience working at the studio and the college. I have improved my knowledge of how the studio operates and how it may be improved.

My main ambition is to improve as an engineer. I really enjoy engineering and believe I shall continue to do so long into the future.

The thing I like most about my occupation is that it allows me to indulge my love of music. I encounter such a variety of people and work on so many different projects. No two days are the same and you are always learning.

However, the most challenging aspect of the job is also the people. Some clients can be very demanding and difficult to work with, but as the engineer, you have to remain professional and help them achieve their goals. Patience is a must.

My advice to those wanting to enter this sector would be to gain as much practical experience as possible. Volunteer and gather industry contacts whenever and wherever you can. Remember it’s not just production studios that need these skills. There are also post-production studios, live sound, theatre, broadcasters, audio manufacturers and installers, etc. If you already have some kit, or can afford to get some kit together, then just go for it yourself, freelance, you have nothing to lose.