A good honours degree, (or equivalent), normally in a related subject. Applicants with professional experience are also encouraged to apply. Applicants to this course will be required to attend interview and display a portfolio of work for assessment. Applicants resident outside of mainland UK only may submit a portfolio electronically If you’re an international applicant, please host your portfolio online if possible and let us know the URL, or email it to us as a PDF. We’ll also accept CDs or hardcopy sent by post to our International Admissions Office, but please note that these will not be returned to you. Your portfolio should: •show examples of your recent visual practice (not necessarily prints) and, where possible, include work that shows some of the themes and areas you’d like to develop on the course. These could take the form of original artworks or good quality reproductions in hard copy or digital form •contain evidence of visual and/or textual research that’s informed the development of your practice.
Months of entry
Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. You’ll use the latest techniques that have broadened the definition of what ‘printmaking’ is, work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating.
Discover the vital contribution that printmaking has made to the language of contemporary art practice, and how recent technological advances have broadened its scope.
Much of your time will be spent independently researching and undertaking your own practice-based projects. You’ll receive technical inductions for the use of both traditional and emerging processes (including relief printing and intaglio, screen print, lithography, photo-based and digital media) and be free to experiment with, and combine, them in your creative work.
Throughout the course you’ll have support from experienced print and fine art practitioners, and benefit from working in a supportive and critically informed art school. Our connection with the MA Printmaking course at Camberwell College of Art creates opportunities for exchange crits and gives you the chance to build networks with fellow artists. And you'll get a window onto the professional art world through our visiting lecturers, field trips and links to galleries.
Our series of workshops, tutorials, seminars, critiques, presentations and lectures, will allow you to develop research skills that you’ll use on this course and in your future career. In addition, you’ll gain experience of other areas of professional practice including curating and critical writing.
Our links with local printmaking and art organisations, such as Cambridge Original Printmakers, the Curwen Print Study Centre, Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in portfolio reviews, live projects and professional exhibitions.
As well as preparing you for a successful career in creative practice, our course will equip you for many other roles. Our past students enjoy careers in further and higher education, professional print workshops, museum and gallery management, public arts projects, artist in residence schemes and fellowship opportunities, in the UK and overseas.
Or you might decide to continue on to a research degree, like our PhD Fine Art.
You’ll have access to events such as Creative Front Futures, which will give you a taste of different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for our students and alumni.
Fortnightly lectures run by our Fine Art Research Unit (FARU) will give you a chance to hear artists and staff talk about their work, and engage in debates about art practice. Our recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.
Visiting printmaking professionals have included Katherine Jones, Stephen Chambers, Sean Rorke, Rebecca Salter, Penny Brewill, Mike Taylor, Kate Palmer, Jo Love and Jane Dixon, Leo Brook and Amanda Couch.
Information for international students
If English is not your first language you will be expected to demonstrate a certificated level of proficiency of at least IELTS 6.5 ( Academic level) or equivalent English Language qualification, as recognised by Anglia Ruskin University
Fees and funding
Qualification and course duration
Course contact details
- ALSS Marketing Team
- 0845 271 3333