Freelance choreographer, artistic director and founder — Taira Foo

Taira started dancing at 17 and since then has carved out a successful career as both a dancer and choreographer. Learn more about her route into the industry

Why did you decide on a career in dance?

It has always been important to me to do something I love. I knew once I had found dance that I was supposed to do that as a job. I believe everyone has a purpose, and I had a strong and undying feeling that this was mine. I was totally driven to do this as a career. I had many people telling me I was too old, but I had total faith in my career path.

I began dancing at the age of 17. This was because I didn't realise you could pursue a profession in dance.

I embarked on my professional dance career over two decades ago and my credits include being part of the original cast of We Will Rock You and performances in productions like Chicago, Fame, Grease, The Royal Variety Show, Queen's Jubilee, and Party in the Park. Throughout my career, I worked with artists such as Snow Patrol, Brian May, Roger Taylor, Vinnie Jones, Phil Collins, Will Young, Ben Elton, and Arlene Philips.

Transitioning from a dance career, I ventured into choreography and movement direction and in 2011, I founded TFoo Dance Co.

Through my diverse ventures, I continue to contribute to the world of dance and storytelling, aiming to create meaningful and impactful experiences for audiences.

Where did you train?

I did most of my training at The Derby Academy of Dance. I was then spotted by an outreach dance practitioner who helped me begin my dance career.

I was trained by an amazing local dance teacher who ran a performing arts course. There were only a few of us on it, but I got the training I needed and was very lucky to be taught by someone excellent at their craft.

I auditioned to get into London conservatoires and was successful, but unfortunately, they were too expensive. So, I decided to continue training with my wonderful teacher. I trained for three years with her before going into my first professional job. Where there is a will, there is a way. I have always created my pathway in this industry and continue to do so.

How did you get your job as a choreographer?

I was offered a job choreographing a musical theatre show for a youth theatre company and loved the creative aspect. I continued to develop my own style of movement. I started my own dance company, TF Dance Company, as a vessel to develop and create my process of working. It has been such an important part of my growth as a choreographer and has given me a lot of opportunities.

What's a typical working day like for you?

It depends what project I am working on. If working towards a freelance project I research into the project, workshopping ideas on my own with a view to trying the work on dancers. I spend two to three weeks preparing for a project to make sure I find the material that is appropriate for the work. If I am working on my own projects there will be times where I need to apply for and source funding for projects.

What part of your job do you enjoy the most?

I enjoy being in a studio with artists creating something new that has never been seen before. I love storytelling and making the audience feel. This is such a powerful way to communicate important messages or ideas on challenging topics.

What are the challenges?

I create a lot of my work, so this allows me to have more control over my company. Some of the challenges can be accessing funding for projects, but I find perseverance is key.

What are your career ambitions?

To continue creating and making work that means something and that can capture audiences' attention through powerful storytelling. I want my work to be accessible to all.

Are you a member of a professional body? If so, what are the benefits of this?

I am a member of One Dance UK & Equity. You can access a lot of support from both. One Dance UK has played a fundamental part in my growth as a choreographer.

In your opinion how could your industry be improved?

I think it would be good to have more insight into how you work as a choreographer in the business. I have learned almost everything on the job, and to have had more understanding of what is required in certain areas of work would have given me a little more confidence.

It would also be great to have more creative hubs where creatives can discuss and have somewhere to gain knowledge, talk about projects, and how to handle certain situations.

What advice can you give to aspiring choreographers?

You can create anywhere at any time; life and experience are all part of creating. If you ever feel disconnected from your path, continue to create in whatever capacity you can.

Find out more

• Discover what it’s like to be a choreographer.
• Gain an insight into the creative arts and design sector.
• Learn more about self-employment.