Fine Art

Entry requirements

Applicants must hold a degree with at least 2:1 Honours standard or equivalent or demonstrate their ability to undertake the course through the accreditation of prior experiential learning (APEL).

Applicants must be able to satisfy the panel via portfolio and/or interview that their work is of a required standard that will allow them to deal with the creative, intellectual and material rigours of the course.

Months of entry

September

Course content

The MFA Fine Art is a two year course (Full Time) and four years (Part Time) of 240 credits and is practice based and supported by a studio environment.

The academic years runs from late September to mid June.

The MFA was established 1979, is based in Belfast and has a long and proven track record of providing a rigorous studio-based programme with access to the expertise of a core staff of nationally and internationally recognised visiting artists. Within the studio and wider environments the diversity of teaching input by staff and visiting artists reflects the range of approaches and contexts embraced.

We recognise contemporary Art practice as being open and pluralistic and encourages dialogue between diverse disciplines. A multi-disciplinary/ inter-mediapproach enables students to work in a flexible manner that offers the maximum opportunity for individual practice. Students are asked to engage with systems of enquiry that explore and embrace traditional exhibition formats alongside wider lateral models of production, distribution and dissemination. Critical discourse on practice with an emphasis on analysis and self-reflection contributes to an understanding of contemporary art located within a larger cultural, social, ecological and political context.

The MFA supports committed, critically engaged and sustainable professional practice.

The 2010 Turner Prize was won by MFA graduate Susan Phillipsz (1994). Other nominated graduates include Phil Collins, Cathy Wilkes and Christine Borland. Graduates of the MFA have been substantially represented over the years in other high profile events and prizes, including the Venice Biennale, Becks Futures, The Nissan Art Award, New Contemporaries, The John Moores Prize and the Glenn Dimplex Award. Two graduates have been awarded the highly competitive Paul Hamlyn Award. Film production, art writing, gallery management and curation are allied areas where graduates have also been internationally successful.